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A great deal of research in the neuroscience of music suggests that neural oscillations synchronize with musical stimuli. Although neural synchronization is a well-studied mechanism underpinning expectation, it has even more far-reaching implications for music. In this Perspective, we survey the literature on the neuroscience of music, including pitch, harmony, melody, tonality, rhythm, metre, groove and affect. We describe how fundamental dynamical principles based on known neural mechanisms can explain basic aspects of music perception and performance, as summarized in neural resonance theory. Building on principles such as resonance, stability, attunement and strong anticipation, we propose that people anticipate musical events not through predictive neural models, but because brain-body dynamics physically embody musical structure. The interaction of certain kinds of sounds with ongoing pattern-forming dynamics results in patterns of perception, action and coordination that we collectively experience as music. Statistically universal structures may have arisen in music because they correspond to stable states of complex, pattern-forming dynamical systems. This analysis of empirical findings from the perspective of neurodynamic principles sheds new light on the neuroscience of music and what makes music powerful.
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http://dx.doi.org/10.1038/s41583-025-00915-4 | DOI Listing |
Commun Biol
September 2025
Wesleyan University, Middletown, CT, USA.
Stress
December 2025
Department of Clinical and Health Psychology, University of Vienna, Vienna, Austria.
Music listening may decrease pain via psychobiological mechanisms. Music listening style (MLS) influences music processing: Music empathizers (ME) focus on emotional aspects of music, whereas music systemizers (MS) focus on structural aspects, potentially affecting processes of music-induced analgesia. The effects of the MLS on music-induced analgesia might depend on the source of music selection (i.
View Article and Find Full Text PDFBrain Lang
September 2025
Neurocognition of Language, Music and Learning Lab, Department of Language Science and Technology, The Hong Kong Polytechnic University, Hong Kong SAR, China; Research Centre for Language, Cognition, and Neuroscience, Department of Language Science and Technology, The Hong Kong Polytechnic Universit
Phonological alternations are common in speech, but the neurocognitive mechanisms for their encoding during word production remain unclear. Mandarin Tone 3 sandhi is an example of phonological alternation, whereby the Tone 3 (T3), a low-dipping tone, changes to a Tone 2 (T2)-like rising tone when followed by another T3. Previous research indicates that both the underlying tonal category and the surface tonal variant are activated during T3 sandhi word production, but the neural substrates of these sub-processes remain unclear.
View Article and Find Full Text PDFbioRxiv
August 2025
Department of Biomedical Engineering, Johns Hopkins University School of Medicine.
Sound harmonicity is foundational in complex auditory stimuli like music and vocalizations but it remains unclear how such spectrally complex stimuli are processed in the auditory cortex (ACtx). Subregions of the auditory cortex process are thought to process harmonic stimuli differently, and secondary ACtx (A2) layer (L) 2/3 is believed to be the most selective. Selective responses to sound features in ACtx are thought to emerge hierarchically starting from A1 L4.
View Article and Find Full Text PDFCogn Affect Behav Neurosci
September 2025
Center for Music in the Brain, Department of Clinical Medicine, Aarhus University & The Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark.
Finding a way to relax is increasingly difficult in our overstimulating, modern society. Chronic stress can have severe psychological and physiological consequences. Music is a promising tool to promote relaxation by lowering heart rate, modulating mood and thoughts, and providing a sense of safety.
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